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A. Introduction Like it or not (and most of us don't) speaking to a group, with some style and authority, is something many of us have to do once in a while. It goes with the job.
Well, neither our training seminar or this workbook is any substitute for experience. But you'll find this section a useful reference when you need to review the basics of presentation preparation and delivery. You're scheduled to give a speech. But you're uncertain of your ability and anxious about audience reaction. Actors call it "stage fright," and many of the best actors in the world have it all their lives. But it never becomes apparent to an audience or impairs their performance. And the reason is more than just talent: They rehearse! Well, our work isn't going to involve any Broadway theaters or opening night reviews. But that doesn't mean you're immune to stage fright, or exempt from rehearsals! Here are some of the more common public speaking concerns and ways to deal with them: "I don't know enough!" Nobody expects you to know it all. What people expect is credibility, and a sense that you've taken the time to understand their information needs. "I get too nervous!" Your system is full of adrenaline, and your muscles have a hair-trigger. It's the famous "fight or flight" syndrome. If you can, try some light exercise just before you speak. Deep, slow breathing can help, also. "I have a bad voice!" Nasal? High-pitched? Raspy? Chances are your voice isn't as bad as you think it is. Ever hear actor George C. Scott? Check out a local college or acting school that offers courses in voice and speech. A voice box is basically just a muscle that responds to exercise and training. "I did badly on previous occasions!" That means you've got some experience! So you can review where things went wrong and work to correct them. The best way in the world to improve!
C. Anticipating Fatal Mistakes! Avoid these five mistakes when preparing your presentation: 1. Rushing into writing!
2. Telling them once is enough!
3. Word-for-word writing and reading!
4. Trying to cover too much!
5. Neglecting timing!
D. Getting Started Here are three questions to keep in mind as you prepare yo 1. Do I know my audience? 2. Have I determined my objectives? 3. What questions will my audience ask?
E. A Recipe for Writing Here are the steps to consider as you work up the bulleted outline, or index cards, you'll use during your presentation: Content: Organize your research: Enrich and expand: Create your outline: Rehearsal and timing: The right visual aids can make a big difference in clarifying points difficult to make with words alone. The wrong visual aids can make a big difference, also; as they confuse your audience and derail your presentation. We can't tell you, in this workbook, exactly where, when or how to use visuals. But we can give you some basics you may find useful: 1. Eighty-seven percent of what we learn comes in through our eyes. 2. We remember 20% of what we hear; 30% of what we see; but 65% of what we see and hear, simultaneously (a synergistic bonus of 15%!)
4. Use color coding for emphasis and separation. Tell your audience what the colors mean. 5. If you have lots of information to illustrate increase your visuals, not the amount you try and put on any one of them. For text, seven to 10 lines per frame is plenty. 6. Don't rush your graphics. You know what they are, but your audience doesn't. Describe what you're showing. Reading captions, out loud, isn't a bad idea. 7. Have a way to dim room lights if they "wash out" screen images. 8. If using overheads, make sure they're in the right order before 9. If using slides, make sure they're in the right sequence and none are upside down or backwards. 10. Always check projectors for proper operation. Most projector lamps wait until you're halfway through your presentation before they burn out. 11. Make sure nothing blocks your audience's view of the screen, e.g. your head. 12. Whenever possible, arrange for a presentation-site survey – preferably in person, but at least over the phone – to make sure everything you'll need is available. You step to the lectern but find it's too dark to see your outline. You reach up to snap on the lectern light. Nothing! It's not even plugged in, and there's no extension cord in sight. The rest of your presentation is blind man's bluff! An advance location survey can't completely eliminate Murphy and his legendary law. But you can certainly get the odds working in your favor. Here are some basics to keep in mind:
H. It's Show Time ![]() Yes, folks, it's show time! And there you are, looking out over a sea of eager faces; anxiously waiting for the few moments of inspiration that your hours of perspiration have produced. In short, you're in the meat grinder and it's time to play "Looking Like A Leader At The Lectern." No more planning, preparation or rehearsing in front of friendly colleagues and uncritical associates. Entire libraries have been written on what to do, and how to do, it once you start talking. You can read the books later. But, for now, turn to the next page for some things you can do to improve your presentation delivery. Plan your introduction: Never come on cold: "Good morning, can everyone hear me?" is not exactly a leadership launch. Give whomever will introduce you a succinct bio abstract that sets you up as an authority on whatever you're talking about. If you've got an unusual name, make sure your host can pronounce it! Anxiety disguisers: Hands trembling? Grab the top edge of the lectern. Voice a little shaky? Don't start talking right away. Look around the room. Smile. Rearrange your notes. Have a sip of water. Adjust the microphone. Stand up straight. Take a few deep breaths. There's no rush! Afraid of losing your place on the outline? Use numbered index cards with only one or two points on each. Audience eye contact: Keep as much audience eye contact going as you can manage. Find one or two people in the audience who seem genuinely interested and talk to them. Give the back wall an "eyeball sweep" once in a while. The audience will think you're looking at them. Feedback factoring: Learn to look for (and use) audience reactions, e.g. smiles, frowns, laughter, puzzled looks, etc. Use this feedback to expand, contract, amplify and make other mid-course corrections to improve your presentation. (Another reason for good audience eye contact.) Body language: Use slow, deliberate movements and motions. Nothing jerky or forced. Most of it will come naturally. But you may wish to list some moves in your notes as reminders. The walk-around: There's no rule that says you have to stay in one place while you talk. Sometimes a little walking around proves relaxing, while adding interest and impact to what you're saying. (With allowance for portable or wireless microphones, of course.) Voice variations: You can't change your basic "sound." But you can control how quickly you talk, how loudly or softly you speak, and when and where you pause or punch-up selected words and phrases. And all these touches should be indicated in your outline. (Ex: Write TAKE IT EASY! at the top of your outline)
I. The Question & Answer Session ![]() When you start your talk, tell the audience you'll take questions later; and then, again, immediately after you've finished.
Greek history, which documents the abilities of many legendary orators, tells us this about two of them: When Pericles spoke the audience would say, "How well he talks." But, when Demosthenes spoke, the people said, "Let us march!" If there's one thought we'd like to leave you with about making any type of a group presentation, it's simply this: Even if what you have to say is quite obvious to you, it may be very important to others. For an excellent resource, check Patricia Fripp's website | ||||||||||||
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The Writing Works is an idea bank, not a production or planning company. |